Character Analysis of Devdas in the Novel and Movie

After his wealthy family prohibits him from marrying the woman he is in wonder with, Devdas Mukherjees life spirals boost and further out of control as he takes up alcohol and a life of sin to numb the pain. An epic love recital set in the 1900s which reveals a portrait of love ruined by class differences, family pressures, and char wagerer weaknesses. Devdas is the wealthy son of a high-caste landlord. His outflank friend growing up, whom he loved dearly, was Paro, the daughter of a low-caste family.After moving to London, Devdas returns home afterwards ten years to hear that Paro is about to be married off to a rich landowner. Devdas sinks into alcoholism, and is later visited by Paro who admits to still harming him. Devdas film based on the Sharat Chandra Chattopadhyay impudentla Devdas. Devdas Mukherjee, is a slacker, though sensitive and talented. His daily chore is to fleet cadence with his childhood friend, Parvati, the Mukherjees neighbor, who belongs to a middle-c lass family. Devdas is sent away abroad so that he pile improve himself.Several years, upon his return, things postulate not changed, his dad still regards him as a slacker, though Devdas is welcomed by the rest of his family, the welcome could have been warmer had Devdas chosen not to visit Parvati (Paro), rather than his own mother. Devdas and Paro be in love, and hope to marry. But Devdas dad has other plans, vehemently opposing marriage to a overturn caste family, and as a result Paro gets married to a much older widower with grown-up children her age, and Devdas leaves home, becomes an alcoholic, a womanizer, who is unable to get Paro out of his mind, pleasant and hating her at the same time.Devdas meets with courtesan, Chandramukhi, and ends up f every(prenominal)(a)ing in love with her also, thus getting her a bad reputation. Then Paro decides to talk Chandramukhi out of getting Devdas away from alcohol, to which Chandramukhi agrees, only if the question re of imports whether they will act in time to stop Devdas before he self-destructs. The joy-ride starts with all the glitter and shine of a Hollywood classic, it sails through the emotions and ends up at the death.. so real and realism is the biggest plus of this great movie. Its loud in dialogues as the feudal society of early 20th ampere-second in India was and is not overpowered with emotions s the people from that class should have been (expressive yet graceful). Technically it remains the best ever Indian film and one of the best around the world.Well done Bhansali. In playacting Aish does wonders.. Madhuri has shown why she is the queen of the bollywood and Shahrukh khan has reached where no Indian actor would have ever reached.. I have agnisen Dilip sahabs Devdas too and bowing to the greatness of Dilip Sahab let me say,Shahrukh did it better than him. Dialogues, sequences, frames, music and acting all there to conduce you a treat to suck.. movie in which one finds the glimpses of ones own life beautiful yet so real, harsh and sad Devdas, is telling us about love that end with tragedy, theme that has been revisited for m some(prenominal) clock in many films. In this case, is not surprise considering that this film is the fourth version of Suraj Chandrachaterjees novel to pull in in to a film. We better not to talk about the plot, because its so typical (and sometimes could world-weary the viewers), plainly I must admit that technically, this film is superb. Visualizations of the scenes are breathtaking and solve you dont have any complains about the plot.It seems that Sanjay Leela Bhansali try to renew the old style of the Hindi films into a kind of an innovative and changeable theatrical film. I always believe with Sanjays skill on directing a movie (go watch Hum Dill De Chuke Sanam for instance). The score and sound track is enchanting. The outfits is gorgeous and so with the sets. In the acting department, Aishwarya spear is perfect. The Acting diva once again shows her best performance, and much deserve for an award. Madhuri Dixit has the smallest role, but she proves that she is the living legend.Meanwhile, the main character that plays by Shahrukh Khan, is applaud worthy but doesnt more that. Better luck next time Mr. Khan. This movie is an excellent portrayal of indian culture. It possess so much strength and beauty and the characters act hale. The characters suit each character perfectly and i thouroughly enjoyed the movie from beginning to end. The movie was very sad, but its a change from a normal hindi movie. Your heart soars for each of the characters at different stages of the movie. boilers suit this movie ruled, and i would watch it over and over again.Devdas A Byronic Bollywood Hero Devdas by Sarat Chandra Chattopadhyay is one of the classics of Indian literature, subject to many film adaptations in Indian picture palace, including a recent psychedelic version of the story. Devdas deserves to be placed in the N orton Anthology alongside other great writers, due to its tragic eponymous hero and the insights into Bengali life. Sarat Chandra Chattopadhyay was one of the leading literary deities of Bengal, he published several books earlier Nishkriti, Charitraheen, Parineeta, and Srikanta, but his most storied novel is Devdas.Sarat Chandra was born on September 15th, 1876 in Devanandapur, a village in West Bengal. He spent his childhood in poverty and was constantly shifting from town to town in Bengal, and legitimate little formal education. In his adulthood, he moved to Burma in 1903, and it was here that Sarat Chandra started sending his novels and short stories to Calcutta journals. The regnant author during this time was Rabindranath Tagore, who had a rumoured rivalry with Sarat Chandra, whose novels were much more understandable and realistic for the reading peck of Bengal.It would be fitting to include Sarat Chandra to the canon of literature due to his indelible mark on Indian lite rature with his unforgettable character Devdas. His crowning achievement Devdas was written in 1901, and later published after some revisions in 1917, which included the more tragic ending to the novel. The novel tells the tragic love story of Devdas and Paro, childhood sweethearts torn apart when Devdas leaves for school in Calcutta, and when he returns Paro proposes they get married. Devdas, unable to stand up to his parents, rejects her, and Paro is married off to a wealthy widower.Devdas, heartbroken after other rejection from Paro, returns to Calcutta and along with his friend Chunilal he seeks solace in alcohol and a courtesan Chandramukhi who falls for him. Devdas continues on his unsafe path until on his deathbed, when he travels to Paros home only to die alone at her doorstep. This tragic tale has stayed in the minds of readers because of its seminal hero that can immediately be identified in the subsequent films and novels featuring a self-destructive hero.Devdas is not a typical romantic hero, because he is unable to proclaim his love for Paro despite loving her dearly. In one scene in the novel, Paro boldly goes to Devdas in the night to propose their marriage, but Devdas is control with protecting her honour rather than facing up to the real reason she came to him, and answers with You must know that my parents are dead against this? Parvati nodded she knew. She didnt say a word more. After what seemed like an eternity, Devdas heaved a sigh and said, So then, why? (Pg36)This exchange high ignitions Devdas anti-hero like status, as he is unable to accept his love and rejects Paro, because of parental opposition. tied(p) through earlier passages in the novel, we can tell Devdas loves Paro, but he cannot upset societal norms of marrying from another caste. After this scene, Devdas is chastised by his parents and he escapes to Calcutta, where he writes a letter of rejection to Paro claiming, Another thing I had never felt that I loved you tremen dously even today. I cannot feel any deep well of sorrow in my heart for you Try to forget me, I pray that you succeed, (Pg39).This rash action by Devdas reveals his indecisive nature as soon as he posts the letter he realizes he is actually in love with Paro. He then feels guilty for sending the letter, and muses, How would this arrow he had dispatched go and shoot her? (Pg40), he later realizes his folly of upholding the narrow-minded views of the caste system, which an educated man like Devdas can see is wrong. Devdas is a tragic character worth studying in literature because he is so indolent and indecisive in his love story, which sets forth his downward spiral.The reason he is indecisive is that the love of Paro and Chandramukhi is what drives the narrative, the situations when they bide Devdas is what develops him as a character. Devdas turns to drink when Paro rejects his proposal that they elope before her wedding, in anger he strikes her brow, For rape Paro, I have merely left a mark for you to remember our last meeting,(Pg46), this moment solidifies their birth as the blood resembles the sindoor in the hair parting of a married Hindu woman.With this rejection, Devdas is dejected and he willingly goes to the courtesan harem and drinks his sorrows away. Devdas begins to hate women and spurns Chandramukhi, who finds him charming There isnt a woman on earth who wouldnt deny herself this heaven, (Pg92) she muses of his company. Later Devdas begins to care for Chandramukhi but he cannot love her as he is still in love with Paro.He acknowledges his indecisiveness when he visits Chandramukhi, who has settled down and given up her sinful life, saying, Perhaps Bou, you will suffer like Paro because of me,(Pg116), the use of Bou, which means wife, highlights it is Chandramukhi who Devdas provides money and pleasure as a husband would. Devdas is one of the most complex characters of Indian literature, because the choices he makes are detrimental for all involved in the love triangle, as he pines for Paro whom he rejected, and Chandramukhi whom he also grows to like is denied by him because her low status.Devdas self-destructive tendencies occur because he feels like a victim of the situations that he has created for himself. Sarat Chandra does not delineate characters but puts them in difficult situations to which the reader has to infer into the character, as Devdas has become an identifiable figure in the many movie adaptations or of characters that pine for unfulfilled love. Devdas is a novel to be studied in a literature class because of the strong women that shape his character.Devdas is an important novel to be included in a Norton Anthology book, because of the social conventions of Indian life affect the narrative. Devdas belongs to zamindari/landlord family and Paros family live and work on their land. When Paros grandmother broaches the subject of Paro and Devdas marriage to his mother, she rejects this notion, The Chak ravatys was a trading household. And they lived next door. Oh shame (Pg24) the class differences are ironically the aspect, which separates the two lovers as opposed to caste differences as both families are Brahmins. Sarat Chandra uses the differences to aid in separating the lovers, as Devdas is unable to face opposition from his parents and rejects Paro. Class differences also tear apart the burgeoning relationship among Chandramukhi and Devdas, as she is a fallen woman who Devdas cannot possibly break social norms to live with.Chandramukhi nurses Devdas back to health, when she spot him during a drinking binge once Devdas is healed, she asks to be his nurse, but he will not let his name to be disrespected as Chandramukhi realizes, She could help Devdas regain his health, she could give him pleasure, but she could never give him respectability, (Pg116). The novel set in colonialist India, makes no mention of British rule other than the Devdas who is dressed smartly and smokes a pipe when he returns from Calcutta after his studies.Sarat Chandra used his novels to highlight social problems of Bengali life, and in Devdas, he makes light of the issue of dowry. Paro, who is of age to be married at 13, and born into a poorer household, her father, rejects the social practise, But Nilkantha-babu abhorred this practise. He had no intention of selling Parvati and making money on the transaction, (Pg23) Sarat Chandra here reveals that daughters should not be interchange as if making a business deal for marriage.Devdas is one of the only novels where Sarat Chandra does not make an definitive social point to educate his readers, as he leaves the novel as an open text where readers may form their own opinions on the predicament of the eponymous hero. Sarat Chandra Chattopadhyays Devdas would be a suitable asset to a literature book like the Norton Anthology, because he created the classic self-destructive hero for Indian cinema and, the original source would be a good companion to the films. Devdas is a thoughtful novel that allows readers to make their own judgement of the hero, and gain insights into Bengali culture during the 1900s.